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Dixon

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When Dixon entered the Berlin club circuit in the early 90’s, he established his name on the strength of DJing. Back then, confidence or experience based on putting out mixes in the internet did not matter as much as it does now. You had to do your practice, of course, but when your thing was good and tight enough to take it to the clubs, there were opportunities to do so. But those opportunities meant responsibilities. A residency did not mean playing the same club every once in a while, it meant playing the same club every week. The crowd did not consist of people that wander in and out of club nights and its guest DJs as the weekly hype commanded them, it consisted of people which headed straight to a certain club night because they were sure its resident DJ would deliver the goods this week as he did last week, and the next weeks to come. As long as that happened, there was no need to move on. You made your decision to return out of good experience and you stuck to it as long as it lasted.
In such a context, there is no way to learn quicker how to become a very good DJ than by making people dance throughout a set that lasts the whole night, on a very regular basis. If you can’t hold the crowd for hours then, you fall through. It is learning by doing, the hard way. Dixon did not only learn very quickly, he loved every moment of it. Starting out low, slow, unfolding the flow, working towards a peak, then working towards another, turning up, turning down, to find the exact point from which to swing moods, to find the perfect way to end what should be a lasting experience. Once you passed your exams in the night club school of that era with distinction, you can rely on it forevermore, and Dixon surely did. His residencies then and now are obviously schooled on the stylistic and technical versatility and skills, attitude, stamina and experience based on countless nights honing ways to direct a loyal crowd on the dance floor at will. Hours spent to find and select the right music to achieve the levels of intensity necessary, hours spent to plan the imminent night’s structure and proceedings, and then hours spent putting it into action. Dixon was always more than happy to spend this much time on his nights, because he takes his profession seriously. It is exactly what matters most to him. He has always been and he always will be a DJ first. This is the mission he embarked on, no end in sight.

Keeping all this in mind, it comes as no surprise that Dixon extended his merits beyond the club by a medium closely connected to the DJ craft. He compiled and mixed the Off Limits compilations, which became very popular and introduced his impeccable style of mixing to a public reception way beyond that of those who had already heard him play in a club context. Later he branched out to even more success by doing a highly influential mix compilation for the Get Physical label’s Body Language series, a Mix CD that has inspired people all over the world. These releases were intended to show the sincere dedication Dixon has to his profession, and they evidentially do.